
| European Classical Music | African Tribal Music |
| The composer is revered. Musicians play the music exactly as the composer intended. | There is no composer. Musical inspiration is a divine gift. The resulting song is shared by all and open to interpretation. |
| Performers are people with talent who have had lots of training and practice. Audiences watch and show appreciation. | Music is participatory, and the line between performer and audience is blurred. |
| Harmony is a major organizing principle, with major/minor tonality as the foundation for most music. | Rhythm is a major organizing principle, with complex interwoven patterns (polyrhythms) as the foundation for most music. |
| Music is art and entertainment, listened to for fun and used to enhance enjoyment of social functions. | Music is functional, practical, and woven into the rituals and customs that make up African life. |
| Music can be used to accompany dance, but performers and audience are often still in order to focus on the music itself. | Music and movement are closely linked – performers and audience almost always dance or sway to the beat. |
| Music is written down. Performers take care to follow the instructions on the page so that the composer’s intent will be preserved. | Music is transmitted through the aural tradition – passed down “by ear” between generations, and tends to evolve over time. |
| The written music is the final authority, but in large ensembles, a conductor interprets the composer’s instructions and guides the musicians. | A master drummer or griot (song leader) leads the group in a call-and-response fashion. This person can change the direction of the song at will. |